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He’s afraid of blood, so that’s a distinct difference between him and other detectives like Feluda and Sherlock.Ī: Yeah, he is. It’s everyone around him who is doing that. Byomkesh is never actively participating in physical violence.
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Is that another aspect that’s been interpreted differently?Ī: No. Q: The film seems to be action-packed, another thing that we don’t associate with Byomkesh. But gradually, he understands that he needs to change a few things about him. Byomkesh isn’t like that – he seeks the truth and he speaks the truth. We change our words to suit them so that nobody gets offended. We want to hear what we want to hear, and we usually think about what the person in front of us wants to hear. He’s very honest, and comes across as someone who is rude. I think he understands that to live in society, or to be with people he likes, he needs to change the way he talks. Q: In your interpretation, what kind of a detective is Byomkesh Bakshy?Ī: I think he’s more cerebral than visceral. It’s a completely different interpretation of the same thing. It’s not changing the content, or the context. Otherwise, give me one good reason why we should make a film on Byomkesh Bakshy again when we already know his story. But the way it’s been communicated, and the way the film-maker tells the story, that’s what makes this film different from all the other Byomkesh Bakshy films. You just have to convince yourself that this is the 1940s and you are Byomkesh and you are interacting with people of that age. As an actor, was that a difficult job?Ī: No, you don’t have to play to the grammar that the film-maker has. Q: The story-telling is contemporary, but the setting is period. We thought of Byomkesh as what Sharadindu (Bandyopadhyay) wrote about Byomkesh. We thought about how everything in the frame should be period correct.
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If you know how to pull it off, it can come across as sexy. The oiled hair and all is a very Indian and dated way of looking sexy. Q: Did it bother you that your character in the film looks decidedly unglamorous?Ī: Lots of girls have told me I look hot in the movie, so any apprehensions I had have disappeared. Why is this film different from all the Byomkesh films we have seen so far? What is the intent? What is the central idea? What are the changes that we are making in order to communicate the same emotions all this while? All these things were part of the homework. We tried to understand each and everything that we were supposed to – like Calcutta, Calcutta culture of the 40s, the adda, the coffee house, Lalbazar, Fort William, all of that.
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Q: I wasn’t going to ask you, but if you want to tell me about your process, please feel free to …Ī: (Laughs) It was madness, but there was a method behind my madness. Rajput spoke to Reuters about his “process”, the unglamorous look he sports in the film, and why he said yes to Rajkumar Hirani’s 2014 film “ PK”. For Banerjee’s film, Rajput dons a voluminous dhoti (a traditional Indian costume), oils his hair, and plays the role of Sharadindu Bandyopadhyay’s famed fictional sleuth.